We adapted the traditional salt print to incorporate a solution of soil sampled from various local and regional sites, using naturally occurring and introduced sources of salt to produce landscape photographs of the locations. First, each qualitative filter is sensitized with silver nitrate and after drying are folded placed into a steeped soil solution, utilizing the hydrophilic properties of the paper to leach said solution. The filters are again allowed to dry and then exposed using a digital negative of the landscape. Given the stability of the images, the final prints are not processed and resulting images digitally preserved. We are also producing hybrid kallitype/chromatographic images by placing soil samples directly on the sensitized paper and allowing the pigmented particles to be drawn out from the center. Plants possessing a rhizomatic like root structure are uprooted and treated with a sodium hydroxide solution and place on a sensitized sheet of Stonehenge paper in situ for 24 hours. Finally, being a printing out process, the prints finally washed and dried.